coordinatornarvin:

the-fandoms-are-valentines:

grandtheftautosanandreas:

Douglas Adams is the best when it comes to describe characters

they need to teach classes on Douglas Adams analogies okay
“He leant tensely against the corridor wall and frowned like a man trying to unbend a corkscrew by telekinesis.”
"Stones, then rocks, then boulders which pranced past him like clumsy puppies, only much, much bigger, much, much harder and heavier, and almost infinitely more likely to kill you if they fell on you.”
"He gazed keenly into the distance and looked as if he would quite like the wind to blow his hair back dramatically at that point, but the wind was busy fooling around with some leaves a little way off.”
"It looked only partly like a spaceship with guidance fins, rocket engines and escape hatches and so on, and a great deal like a small upended Italian bistro.”
"If it was an emotion, it was a totally emotionless one. It was hatred, implacable hatred. It was cold, not like ice is cold, but like a wall is cold. It was impersonal, not as a randomly flung fist in a crowd is impersonal, but like a computer-issued parking summons is impersonal. And it was deadly - again, not like a bullet or a knife is deadly, but like a brick wall across a motorway is deadly.”

You forgot the best one though-
"The ships hung in the sky in much the same way that bricks don’t."

coordinatornarvin:

the-fandoms-are-valentines:

grandtheftautosanandreas:

Douglas Adams is the best when it comes to describe characters

they need to teach classes on Douglas Adams analogies okay

He leant tensely against the corridor wall and frowned like a man trying to unbend a corkscrew by telekinesis.”

"Stones, then rocks, then boulders which pranced past him like clumsy puppies, only much, much bigger, much, much harder and heavier, and almost infinitely more likely to kill you if they fell on you.”

"He gazed keenly into the distance and looked as if he would quite like the wind to blow his hair back dramatically at that point, but the wind was busy fooling around with some leaves a little way off.”

"It looked only partly like a spaceship with guidance fins, rocket engines and escape hatches and so on, and a great deal like a small upended Italian bistro.”

"If it was an emotion, it was a totally emotionless one. It was hatred, implacable hatred. It was cold, not like ice is cold, but like a wall is cold. It was impersonal, not as a randomly flung fist in a crowd is impersonal, but like a computer-issued parking summons is impersonal. And it was deadly - again, not like a bullet or a knife is deadly, but like a brick wall across a motorway is deadly.”

You forgot the best one though-

"The ships hung in the sky in much the same way that bricks don’t."

marielikestodraw:

fasterpussycatgifgif:

Paper sculptures by Li Hongbo.

this still makes me so uncomfortable and yet I want one right now :D

You’re not alone

wolfenguy:

communistbakery:

astronomers got tired after watching the moon go around the earth for 24 hours so they decided to call it a day

image

"I understand you're paranoid. You think enemies are everywhere. I am so into that."

Deadpool Annual #2

lordbyronsbloomers:

penny dreadful first scenes [1/?- victor frankenstein

"your master said you might assist us."

"i have no master."

During the packed panel at San Diego Comic-Con, the Saga writer noted that while today, Joss Whedon and George R.R. Martin are considered cultural monsters for killing off beloved characters, death used to be a more common feature of popular fiction. One problem, he believes, is that too many characters live in the hands of corporations and are therefore considered too precious to kill. Vaughn feels that takes away one of the things that makes fiction so valuable.
you have missed it, admit it.